Part of my “gonna make friends” campaign involves doing some kind of learning, preferably with some other people. At first I thought about a writing class, and then I thought about some kind of social theory discussion, but I decided that I’d prefer to learn about something completely new, where I have no context, no sense of competition, nothing to do but soak it in. And maybe make some friends. So when I saw the posting from The Brecht Forum asking for volunteers to come learn about video production and help produce a lefty cable access show, I signed up right away. A month or two later, I finally went to my first meeting. Unfortunately, because the Brecht Forum is either dramatically understaffed or alarmingly disorganized (or, as I would soon discover, both), it took them over four weeks to respond to me, and by then, the class had already started. No worries. I was one of three or four first-timers who wandered in for the meeting at 6:30, clearly the newbies, who had not yet learned that a meeting scheduled for 6:30 would actually start around 7:15, and that until then we could help set up chairs for the impromptu Himalayan Slide Show that was scheduled for that night.
I had some pretty big ideas for the show, imagining that it would be kind of like Wayne’s World meets Democracy Now, and maybe with some elements of game show thrown in. I mapped it all out in my mind; some anti-corporate banter, an update on the status of the oppression of Algerians in France, and then a rousing game of Plinko, the winner of which would decide on his/her prize collectively with the other contestants, choosing the reward that could be most gainfully redistributed among the masses.
Fun!
But it turns out that the committee of volunteers who had already been to a few meetings had started planning a much more traditional documentary piece on Black August, which actually also sounded super interesting, and it turns out that many of the volunteers actually have film production experience. This is excellent, because the staff member who was supposed to lead our meeting never showed up, so we ended up pawing through the equipment closet and debating the benefits of mapping out the project in detail versus attacking it with no plan whatsoever and allowing the art to “emerge” on its own. To my surprise, the latter was clearly the consensus favorite, which was ok with me because I am trying to engage more wholeheartedly in group decision-making proceses, and also because I figured that with no plan, I could probably find a way to get some Plinko in there after all.
Meanwhile, the Himilayan Slide Show people came into the equipment area looking kind of stressed out, because the audience had started to arrive, and the laptop with which they had planned to project the power point wasn’t working. No problem! I had my laptop with me! And our meeting was finishing up soon anyway, so I helped them hook the computer up, finished chatting with my new film crew, and took a seat in the auditorium to watch the slide show. After 15 minutes or so of what were stunning vacation photos of Tibet from 1998, I whispered an inquiry to the “technician” clicking the space bar to move the slides, wondering just long this program would be, and was surprised, if a little put out, to hear that it would be about two more hours of the same.
“It was a very long journey,” he whispered.
I guess so.
Feeling adventurous and so hungry that my stomach had started eating my other organs, I decided to abandon my computer for a while, and explore the neighborhood for something to eat. To my surprise, the West Side Highway neighborhood, despite it’s demolition-site sidewalks and gaping asphalt canyons, is apparently home to the chicest restaurants I’ve seen yet in New York. I overheard two giggling sorority types ask a bored-looked artsy woman where Buddha Bar was, and she vaguely motioned with her wrist in the general direction of the Hudson River. And my ears perked right up.
If you haven’t heard of Buddha Bar, it’s supposedly an amazingly trendy and upscale restaurant/dance club, so known for it’s soulful world-house music that you can buy their compilations for the screaming deal of a few pints of blood and a million dollars on Amazon.com. (I have one.) (Stop judging me; it was a gift!). I started scouting around for the famed club, figuring I could, at the very least, stop in for a fig-and-lemongrass martini while I waited for the monks to release my computer.
Now, the thing I’ve learned about New York clubs is that the cooler they are, the smaller and more discreet the sign is. In fact, the single strongest indicator that you are somewhere really cool in New York is that you have no fucking idea where you are.
Shockingly, as I tend to be lost most of the time, I have yet to reach this particular state of club nirvana.
I never found Buddha Bar, but I did stop by a little Spanish-warehouse-bistro-slaughterhouse kind of place with blaring music and hot, affected waitstaff who all looked about nine years old. I ordered the mint and almond zuccini, which is apparently served kind of chilled, and when I saw the tiny poriton, was especially glad to see that they also provided me with a dainty silver bathtub filled with tooth-cracklingly underripe and mushy, black overripe olives, all misted with a fine vapor of either anchovy oil or sulferic acid. And the whole thing only cost me $30! I ate them all and left the pits, reclaimed my computer, and headed home.
The most exciting thing about all of this is that I am filming my first footage next Monday.
Miriam, you’re the next contenstant on the Price is Right. Come on down!